A blog for collecting all of my projects together. In the near future, it will be transformed into a personal professional website.
Conference Poster
Get link
Facebook
X
Pinterest
Email
Other Apps
-
In case anyone is interested, you can find my contribution to the HCP 2011 Symposium in Paris over here. It's called "Speculative Reading, Speculative Physics" :)
It has been a busy past two months of constant writing, seminar presentation, travelling and finally, starting on a new summer job as a TA for a general physics course. A recent paper I submitted earlier this month on the topic of feminism, 'hard' science, feminist science fiction, and queerness, got me thinking about the notion of queerness in physics, and whether it is possible to think about queer physics. So far, none of the feminist epistemology of science essays I had read have quite pointed me towards that direction, so I need to think about this further. Nevertheless, my early postulate is that queer physics speaks about knowledge-making in physics that takes the form of subverting the hegemony of a dominant and mainstream discourse. It also interrogates the point of physics knowledge that have been marginalized or discarded, and query on what constitute the parameters of legitimacy governing their acceptance. It is possible that one can consider queer physics to on...
What qualifies as "toxic" in society is an inherently unstable category, dependent on risk assessment, structures of profit but also cultural ideas about safety and health. This joint lecture focus es on a specific form of toxicity, namely nuclear toxicity, through the example of management of nuclear fuel resource s, especially in their aftermath as waste. Starting with an overview of technoscientific risks consideration of nuclear, we will venture into questions of safety, recycling, storage, and stakeholders interpretation through art, broaching case-studies from Europe, Asia and the US. This joint-lecture falls under the Leonardo Lecture series, under the auspice of Excursus of Energy Transitions under the remit of "Resource Policy." https://www.leonardo.rwth-aachen.de/en/modules/suse-2023/resource-policy-2/
In reading through Aspet's work on the meaning of Ergodic Literature, in light of the class discussions and blog posts (and I found David Gruber's post on this very enlightening), I a now thinking as to what is it about media art that is poignant or ground-breaking compared to hand-crafted or even machine-crafted art (after all, art created with the help of machines and the skills of artisans, be they smiths, welders, machinists, furniture makers, builders etc, have been in existence, in different modes and forms according to existing tools (I refrain here from using the word technology, as it has been over-utilized in very unclear terms). One thing we do know about art, as Jonathan Harris himself would agree, is how it invokes our emotion. One need no sublime art to do that, even the cheesiest forms that hits at a raw nerve or emotional events that is within our recent history, would be enough to break the dam. But what is this new level of emotional access that we could and...
Comments
Post a Comment